compositor
Henriëtte Hilda Bosmans wordt op 6 december in Amsterdam geboren. Haar vader, de cellist Henri Bosmans, overlijdt als Henriëtte nauwelijks acht maanden oud is. Ze wordt opgeleid door haar moeder, ...
obras relacionadas
Trio : for violin, violoncello and piano / Henriette Bosmans
Género:
Música de cámara
Subgénero:
Piano Trio (piano, violin, cello)
Instrumentos:
pf vl vc
Resonances : for violin, violoncello and piano / Kris Oelbrandt
Género:
Música de cámara
Subgénero:
Piano Trio (piano, violin, cello)
Instrumentos:
vl vc pf
Caixa de dolços / Candy Box : Version for piano trio / Chiel Meijering
Género:
Música de cámara
Subgénero:
Piano Trio (piano, violin, cello)
Instrumentos:
vn vc pf
Mano : voor pianotrio, 1990 / Paul Bruinen
Género:
Música de cámara
Subgénero:
Piano Trio (piano, violin, cello)
Instrumentos:
vl vc pf
composición
Trio : for violin, violoncello and piano / Henriette Bosmans
Otros autores:
Leo Smit Stichting
(curator)
Contiene:
Allegro con brio
Andante moderato
Andante
Descripción:
The series 'Forbidden Music Regained' proudly presents works by composers who were persecuted during the Second World War. Performances of these works were forbidden during the war. Many composers were imprisoned, several did not survive and others went into hiding.
After the war a new generation took over. The pre-war composers were soon forgotten and their compositions remained hidden in closets and archives or fell otherwise into oblivion. In recent decades numerous works have been rediscovered through the efforts of the Leo Smit Foundation. Some scores were found in attics, others in a garden shed and a pile of music was found by young children next to a garbage can. These compositions are of a high quality and deserve to be performed again. The diversity of styles represents the entire spectrum of the first half of the Twentieth century: romanticism, impressionism, modernism, neoclassicism, jazz, and so forth. This project aims to encourage musicians, young and old, from across the globe to perform these compositions, and for concert audiences to (once again) become acquainted with this “unheard” music.