Wertheim, Rosy

Rosaly Marie (Rosy) Wertheim is op 19 februari 1888 in Amsterdam geboren. Zij is een kleindochter van de bekende Amsterdams bankier Abraham Wertheimer. Haar ouders sturen haar naar kostschool in ...

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Forbidden Music Regained : Volume 2

Género: desconocido

De verstooten Nar en de danser : for piano / Rosy Wertheim

Género: Música de cámara
Subgénero: Piano
Instrumentos: pf

Séries : deux pianos, 1958 / Louis Andriessen

Género: Música de cámara
Subgénero: Piano
Instrumentos: 2pf

What is Beautiful is Loved, and what is not is Unloved. : Three pieces for piano solo / Patrick van Deurzen

Género: Música de cámara
Subgénero: Piano
Instrumentos: pf



Sonatine : for piano / Rosy Wertheim

Número del editor: 17176
Género: Música de cámara
Subgénero: Piano
Instrumentos: pf
Observaciones: The series of published scores of Forbidden Music Regained is a collaborative project by Donemus Publishing, the Leo Smit Foundation and the Nederlands Muziek Instituut (Dutch Institute of Music). This series is financially supported by the Investeringsfonds Muziek, an initiative by Buma/Stemra and the Ministry of Education, Culture and Science.
Duración: 8'00"
Número de interpretes: 1
Año de composición: Not dated
Estado: totalmente digitalizada (en tiempo real de entrega)

The series 'Forbidden Music Regained' proudly presents works by composers who were persecuted during the Second World War. Performances of these works were forbidden during the war. Many composers were imprisoned, several did not survive and others went into hiding.
After the war a new generation took over. The pre-war composers were soon forgotten and their compositions remained hidden in closets and archives or fell otherwise into oblivion. In recent decades numerous works have been rediscovered through the efforts of the Leo Smit Foundation. Some scores were found in attics, others in a garden shed and a pile of music was found by young children next to a garbage can. These compositions are of a high quality and deserve to be performed again. The diversity of styles represents the entire spectrum of the first half of the Twentieth century: romanticism, impressionism, modernism, neoclassicism, jazz, and so forth. This project aims to encourage musicians, young and old, from across the globe to perform these compositions, and for concert audiences to (once again) become acquainted with this ‘unheard’ music.

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