compositor
Merlijn Twaalfhoven wordt geboren op 14 februari in Wapserveen, Drenthe.
obras relacionadas
On Parole : for string trio (version for professionals) / Merlijn Twaalfhoven
Género:
Música de cámara
Subgénero:
String Trio (violin, viola, cello)
Instrumentos:
vl vla vc
Suite : voor amateurorkest / Marius Monnikendam
Género:
Orquesta
Subgénero:
Orchestra
Instrumentos:
2121 1100 timp perc pf4h str
Cantabile : voor orkest, hommage à Hendrik Andriessen / Albert de Klerk, 1952
Género:
Orquesta
Subgénero:
Orchestra
Instrumentos:
2fl 2ob 2cl 2fg 2h 2trp 3trb perc timp str
Tympan : pour grand orchestre, 1990 / Geert van Keulen
Género:
Orquesta
Subgénero:
Orchestra
Instrumentos:
2pic(2fl) 2fl fl-a 2ob ob-bar ob(eh) 2cl cl(cl-b) cl-cb 3fg cfg 6h 5trp 5trb tb timp 4perc vibr 2hp pf synth str(16.16.14.12.8.)
composición
If you reveal your secrets to the wind you should not blame the wind for revealing them to the tree / Merlijn Twaalfhoven
Descripción:
Program note (English): [Première: November 17, 2002 - Concertgebouw, Bruges - Koninklijke Filharmonie van Vlaanderen cond. Lucas Vis] - The title of this piece is a text by Kahlil Gibran from Sand and Foam (1926). It is nice that musicians can perform a piece of music according to signs on paper. This saves a lot of time and discussion. Especially with a large orchestra, time is expensive and discussion is risky. Notation is practical and careful: bar lines clearly define the music in small blocks and noted define the pitch. This is why composing music is like LEGO; big and small pieces are available, red and yellow ones, sometimes a little puppet or a pair of wheels. As long as your manual is correct, the results will be fine. If you prefer clay modelling to playing with LEGO, than composing is a complicated business. Between the notes lies a world of sound which is impossible convert exactly into notation. A rehearsal is brief and the work of building up the piece does not allow you the time you
might want to sculpt, transform and shape the inner world of sound. This piece tries to disagree with the usual reign of the bar line-security imposed by the notation system. The order of convention appeared hard to resist though... - MERLIJN TWAALFHOVEN