Boundless (Homage to L.B.)

In my “The Riot of Spring” I question myself: “What is folklore today? What bears today the energy of the collective unconscious? Is it destructive or neutral for the elite post-postmodernistic consciousness? Is it compatible with the academic concert situation?” The answers to these questions I try to find in turning to the rave culture, to the electronic music – dubstep, idm, d&b. This is not an attempt to imitate the existing genre, not an “away match”, but a rave prepared by the composers’ perception and, not to a lesser extent, an experience of the composer’s perception preparation by the rave. I decided consciously not to synthesize new sounds, working with sound samples the way composers worked with folk or, to go deeper, with ready instrumental sounds and timbres in the European tradition. However, the structuring of the material follows the logic I used while working with a more familiar to me instrumental material. Trying to define the genre of “The Riot of Spring” I’d derive a term “technoballet”, or “electroballet”. At the same time, it is evident that the words “riot” and “spring” are full of connotations with the actual situation in Russia. I’m quite far from the politics, however, the situation we live in directly or indirectly influences us, induces to act or to reflect. Dmitri Kourliandski
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últimas ediciones

  1. Parnassus Musicus Fernandæus (Volume 2) : Motets for 3, 4 & 5 voices & non-figured Basso Continuo (Partitura) / collected by Giovanni Battista Bonometti; transcribed and edited by Cees Wagemakers
  2. Parnassus Musicus Fernandæus (Volume 1) : Motets for 1 & 2 voices & non-figured Basso Continuo (Partitura) / collected by Giovanni Battista Bonometti; transcribed and edited by Cees Wagemakers
  3. Innermost Man : for soprano and 4 instrumental groups / Dmitri Kourliandski; text by A. Platonov
  4. Tōtoltepōhua : for percussion duo / Merijn Bisschops
  5. Spheres : for acoustic guitar / Merijn Bisschops
  6. Antipode I : for harpsichord and soundtrack / Merijn Bisschops
  7. Clearing : for flute / Merijn Bisschops
  8. Nocturne : voor cello en harp / Henriëtte Bosmans
  9. Exodion : for high tenor and organ / Calliope Tsoupaki; composed on text fragments from Theotokarion by the Cretan monk Agapios (1580-1656)
  10. Maestrale : for orchestra / Calliope Tsoupaki

obras populares

  1. Canto Ostinato : voor toetsinstrumenten, 1976-79 / Simeon ten Holt
  2. Dat Mistige Rooie Beest : C version : Bb version : Eb version / Rogier van Otterloo
  3. Der nächtliche Wanderer : for symphony orchestra / Reinbert de Leeuw
  4. Silhouetten : for orchestra, 1925 / [music editors: Odilia Vermeulen and Ton Braas], Leo Smit
  5. Clearing : for flute / Merijn Bisschops
  6. Elliott loves bebop : for two instrumental quartets / Klas Torstensson
  7. First harmonium concerto : for harmonium and ensemble / Martijn Padding, 2008
  8. Symphonie Nº 6 'Amsterdamse' : voor orkest / Cornelis Dopper
  9. Boundless (Homage to L.B.) : for string orchestra, harp, keyboards and percussion / Joey Roukens
  10. L' indifférent : pour quatuor à cordes, 1969, gereconstrueerde versie (2002) / Hendrik Andriessen