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Frame Nº 6: Reset

In my “The Riot of Spring” I question myself: “What is folklore today? What bears today the energy of the collective unconscious? Is it destructive or neutral for the elite post-postmodernistic consciousness? Is it compatible with the academic concert situation?” The answers to these questions I try to find in turning to the rave culture, to the electronic music – dubstep, idm, d&b. This is not an attempt to imitate the existing genre, not an “away match”, but a rave prepared by the composers’ perception and, not to a lesser extent, an experience of the composer’s perception preparation by the rave. I decided consciously not to synthesize new sounds, working with sound samples the way composers worked with folk or, to go deeper, with ready instrumental sounds and timbres in the European tradition. However, the structuring of the material follows the logic I used while working with a more familiar to me instrumental material. Trying to define the genre of “The Riot of Spring” I’d derive a term “technoballet”, or “electroballet”. At the same time, it is evident that the words “riot” and “spring” are full of connotations with the actual situation in Russia. I’m quite far from the politics, however, the situation we live in directly or indirectly influences us, induces to act or to reflect. Dmitri Kourliandski
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últimas ediciones

  1. Die Lian Hua : for flute / Austin Yip
  2. Star Child : for sextet / Bernard Benoliel
  3. Concerto for Oboe Section : Version for 3 oboes and string quintet / Michael Fine
  4. 10 pieces of 10 : for solo instruments or voice (Edition for E flat instruments) / Maarten Ornstein
  5. En-Kin-Esi [Εν Κινήσει] : for bass clarinet / Georgia Nicolaou
  6. Three Birthday Pieces : for orchestra / Martijn Padding
  7. Ether : for oboe, electric guitar and double bass / Calliope Tsoupaki
  8. No Name : Two pieces for oboe and violin / Calliope Tsoupaki
  9. Maria Magdalena : for mixed choir and a keyboard instrument / Daan Manneke
  10. 24 Arie Antiche : for voice and guitar / Kees Arntzen (arr.)

obras populares

  1. Afterwalk (après promenade) : for partially prepared piano / Christina Viola Oorebeek
  2. Canto Ostinato : voor toetsinstrumenten, 1976-79 / Simeon ten Holt
  3. Piano Fractals : for piano / Amos Elkana
  4. Lullaby : Version for violin, alto saxophone and piano / Nimrod Borenstein
  5. Softly Bouncing : for orchestra / Martijn Padding
  6. Xing : for 2 conductors and ensemble / Adam Łukawski
  7. Verstomde stilte : for guitar / Bob Wander
  8. Quatre offertoires sur des chants grégoriens : for organ / F. Xavier Gelabert i Muntaner
  9. Études opus 66 : for piano / Nimrod Borenstein
  10. That All Changes : for guitar / Jan-Peter de Graaff