Destacado

5 pieces of 4 and more

In my “The Riot of Spring” I question myself: “What is folklore today? What bears today the energy of the collective unconscious? Is it destructive or neutral for the elite post-postmodernistic consciousness? Is it compatible with the academic concert situation?” The answers to these questions I try to find in turning to the rave culture, to the electronic music – dubstep, idm, d&b. This is not an attempt to imitate the existing genre, not an “away match”, but a rave prepared by the composers’ perception and, not to a lesser extent, an experience of the composer’s perception preparation by the rave. I decided consciously not to synthesize new sounds, working with sound samples the way composers worked with folk or, to go deeper, with ready instrumental sounds and timbres in the European tradition. However, the structuring of the material follows the logic I used while working with a more familiar to me instrumental material. Trying to define the genre of “The Riot of Spring” I’d derive a term “technoballet”, or “electroballet”. At the same time, it is evident that the words “riot” and “spring” are full of connotations with the actual situation in Russia. I’m quite far from the politics, however, the situation we live in directly or indirectly influences us, induces to act or to reflect. Dmitri Kourliandski
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Donemus Publishing

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últimas ediciones

  1. Nachtlied : for voice and piano / Sem Dresden; words by Ernst Collin
  2. Morgenandacht : for alto and piano / Sem Dresden; words by Oskar Hansen
  3. Mit deinen blauen Augen : for voice and piano / Sem Dresden; words by Heinrich Heine
  4. Memoria judaeorum : for male choir / Sem Dresden; words by Tacitus
  5. Mein Lieb : for voice and piano / Sem Dresden; words by Richard Leander
  6. Meilied : for mixed choir a cappella / Sem Dresden
  7. Meeresstille : for voice and piano / Sem Dresden; words by Alexei Tolstoi
  8. Liebster! Nur dich seh’n! : for voice and piano / Sem Dresden
  9. Letzte Gabe : for voice, violin and piano / Sem Dresden; Words by Ernst von Wildenbruch
  10. Letzte Gabe : for low voice and piano / Sem Dresden; words by Ernst von Wildenbruch

obras populares

  1. Chords Étude : for piano / Nimrod Borenstein
  2. 5 pieces of 4 and more : for string quartet or ensemble / Maarten Ornstein
  3. Canto Ostinato : voor toetsinstrumenten, 1976-79 / Simeon ten Holt
  4. Ai Quaquín, que has vengut de prim! (Sainet in one act) : Music theatre for solos, mixed choir and orchestra / Antoni Mª. Servera (arr. F. Xavier Gelabert i Muntaner); text by Sebastià Rubí
  5. Symphony Nº 10 (Unfinished) : Chronological Transcriptions of the Sketches, Short Scores and Orchestral Drafts / Gustav Mahler; Frans Bouwman, editor
  6. On the Shore of North Vidzeme (Ziemeļvidzemes krastā) : for harpsichord (or piano) and saxophone quartet / Georgs Pelecis
  7. In te Domine speravi : for mixed choir / Sarah Neutkens
  8. Gamut : for orchestra / Bram Kortekaas
  9. Rotary Vertigo II : Version for large ensemble / Nubim Soyoung Kim
  10. Sevdah : for bassoon / David Mastikosa